Orchestration in progress.
Opus 10
The compositions starts in Dmaj, later pivots via Gmin triad to Cmin. The signature sequence progression includes ascending thirds with secondary dominants as passing chords. Later measures feature enharmonic modulation with augmented German sixth resolved to a dominant seventh, as common in Romantic era. Orchestration in progress.
Opus 9
Orchestration in progress.
Opus 8 in G Major for Orchestra
Orchestration: Winds3 flutes, 3 oboes, 3 clarinets, 1 bassoon Brass6 French horns, 2 trumpets, 4 trombones, 3 Wagner tubas Strings18 first violins, 11 second violins, 10 violas, 10 cellos, 9 double basses PercussionsHarp, glockenspiel, timpani, 3 snares, cymbal, Taiko drums Composition notes:The first part modulates from G major to both its parallel (g) and relative…
Opus 7: Catherine’s March
Orchestral composition
Opus 6: Danse Macabre
Piano reduction
Opus 5: Lydian Variation
After a short introductory oboe section, the piece presents the two main themes: the first, starting at m. 21, is composed in the Lydian mode, while the second, starting at m. 73, is based on the circle of fifths progressions. Dialogues between winds and string sections unfold throughout to provide contrasting colors. In the repeat…
Opus 4 in D minor
While originally writen for piano and violoncello, this piece was orchestrated as a retrosynth (synthwave) composition, paying respect to the 1980s film soundtracks and video games. The instruments are based on free VST plugins featuring vintage 80s sounds and synthesizers, namely: verse lead 1: TAL NoiseMaker (KB Big synth) verse lead 2: SQ8L (R39 —…
Opus 3 in A Flat Major
Opus 2: L’hiver à Toulouse
Variation on Alberti bass